8 port-8

December 17, 2025

post

Filed under: A,AI ETHICS,aktisto,amfi-theatros-n-8,amfit- meteoro,amfitheatro-rele,amfitheatros-g (2001),animation works,archives,articles,audio actions,B,ballons,bee news,black-aegean,bodies-flow,box anima,box twins II,boxes III,brayn park,C,categories,cave,Celebrities,coins,coins in bank,coney island,cross,cv,D,d-el-ta,DEEP FAKE,Delf,dialogues,diary,dig-drawing,dig.painting,digital memory/Ο κήπος (),diktia/ net works,dismembered,Documentations,drawings,droppim coins,E,e-cvs,e-shadows 1998,Elements,environmental,error-e-iroon,ethics,everyday narrations,evros,experimental,F,Food,future labuture lab,G,g avenue,g-race-is-t,gender race,H,h-space/ x-oroi,I,i-soma-to-typos,iconography,icons,Impetus,installations,interactive installations,internet,J,K,keimena,L,lighting,lisboa,live,lost paintings,M,mapping pro,media forms,MEDIA GERNES,meteoros,metro,mikis,monos,mysteries-and-miracles,MYWORK,N,Narcissus,narrative keyboard,negatives,networks,Notebook,notebook erase,O,objects,odoiporiko,on surveillance/,on the train,on-air,open space,ORYXEIO,P,painting II,paintings I,panormos,passing,people,people of st george,peru,photo orbit,Photo-agores,photo-air,photo-destruction,photo-na-ou-s-(i)-as,photography,photography random time,photography-02,postpainting,public art,Q,Q-texts,R,random stories,redhook,routes,ruins a class,S,Searching for Dan,selfport,shadows,sinkers,skylines,sofias,SPIRIS,statements,storytellings,street art,subway intervention,sunrise,T,t-installation,tapping,The crazyness- Παραλογισμός,The memorial of materiality,THEMES,thoughts,time,top-view,topia,tree,trena,twins story,U,Uncategorized,UTOPIA,V,varidia,various,video installations,video stills,video twins,video works,virtual garden,Virtual portraits,Void/Κενό,W,w-space/Η πηγή,walking,web based inst,web search,well space,work-archive,X,x-art-i-os,x-photonudes,x-photos,xorografies,Y,Z,εκπορνευμενος αλγόριθμος,το λάθος,Τοπιογραφίες,φώτεινος θάλαμος 2,φωτεινός θάλαμος- — porto @ 9:22 pm

June 29, 2025

Filed under: work-archive — porto @ 1:25 am

March 2, 2025

TYPES OF WEB ART

Filed under: video works,walking — porto @ 10:46 am

February 28, 2025

xaos

Filed under: work-archive,Τοπιογραφίες — porto @ 6:56 am

February 27, 2025

archive random 02

Filed under: archives,random stories,work-archive,x-art-i-os — porto @ 9:23 pm

archive random 02

work archive 0-10

Filed under: random stories,work-archive,Τοπιογραφίες — porto @ 2:49 pm

gallery

August 30, 2024

Digital Memory-Virtual Garden/ Raw audio video samples

Filed under: virtual garden,walking — porto @ 7:58 pm

VIRTUAL GARDEN – DIGITAL MEMORY// Raw* Archive audio video material// for W// not the final outcome-not loaded yet

http://porto.artroom7.com/category/w/walking

Filed under: walking — porto @ 7:58 pm

Walking as a subconscious artistic practice in contemporary life is an intriguing concept that blends the ordinary act of walking with the potential for creativity, self-discovery, and cultural critique. This practice draws from the traditions of psychogeography, the Situationist International, and other movements that explore the relationship between individuals and their environments. Here’s how walking can be understood and utilized as a subconscious artistic practice:

1. Psychogeography and the Dérive

Psychogeography, popularized by the Situationist International, explores how geographical environments influence emotions and behavior. The dérive (drift) is a central practice within psychogeography, where individuals walk through urban spaces without a predetermined route, allowing their surroundings and subconscious impulses to guide them. In contemporary life, this practice transforms walking into a form of exploration and artistic expression, revealing the hidden narratives and emotional landscapes of cities.

2. Walking as a Meditative Process

In a world dominated by speed and efficiency, walking can become a meditative practice that slows down the mind and body, allowing for deeper reflection and connection with one’s surroundings. This mindful walking can lead to spontaneous creative insights, as the subconscious mind is given space to wander, making associations and connections that might not arise in a more structured environment. As an artistic practice, this form of walking emphasizes process over product, valuing the journey and the thoughts it provokes.

3. Walking and Memory

Walking through familiar or significant spaces can evoke memories, emotions, and associations. This subconscious interaction with the environment can be seen as a form of storytelling or narrative creation. Contemporary artists might use walking to explore personal histories, cultural memories, or the collective unconscious, using the act of moving through space as a way to access and express deeper layers of experience.

4. Resistance and Subversion

In contemporary urban environments, where space is often commodified and controlled, walking can become an act of resistance. By choosing to walk in places that are neglected, forbidden, or overlooked, individuals can reclaim these spaces, challenging the dominant narratives of how space should be used. This subversive approach to walking can uncover alternative perspectives on the city, making it an inherently political and artistic act.

5. Mapping the Unseen

As an artistic practice, walking can be used to create maps that go beyond the physical geography of a place. These maps might chart emotional responses, social interactions, or other intangible experiences encountered during the walk. Artists might document their walks through sketches, photographs, writings, or even digital media, creating layered representations of the environment that blend the real with the imagined, the conscious with the subconscious.

6. Everyday Life as Art

By embracing walking as an artistic practice, the boundaries between art and everyday life are blurred. This aligns with contemporary art movements that seek to democratize art, making it accessible and integrated into daily experiences. Walking, in this sense, becomes a way to infuse art into the mundane, turning the simple act of moving through space into a creative and transformative experience.

7. Connection with the Environment

Walking encourages a direct, physical engagement with the environment, fostering a sense of place and presence. This connection can inspire works that reflect ecological concerns, urban development issues, or the relationship between humans and nature. By walking, artists and individuals alike can develop a deeper awareness of their impact on the world and use this understanding to inform their creative practices.

Conclusion

Walking as a subconscious artistic practice in contemporary life transforms an everyday activity into a profound form of creative expression. Whether through the dérive, meditative walking, or subversive exploration, this practice allows individuals to engage with their environments in new and meaningful ways. It invites a rethinking of space, memory, and the boundaries between art and life, making the simple act of walking a powerful tool for creativity and self-discovery in the modern world.

July 27, 2024

Filed under: virtual garden,walking — porto @ 9:52 am

Filed under: walking — porto @ 9:49 am

Filed under: walking — porto @ 9:47 am

July 18, 2024

Filed under: networks,web based inst — porto @ 8:51 am

Filed under: web based inst — porto @ 6:29 am

March 16, 2024

Filed under: w-space/Η πηγή — porto @ 7:30 pm

February 28, 2024

Filed under: well space — porto @ 5:53 pm

January 10, 2024

Filed under: digital memory/Ο κήπος (),walking — porto @ 11:18 am

Filed under: internet,web search — porto @ 8:46 am

Filed under: internet,narrative keyboard,web search — porto @ 8:43 am

Filed under: narrative keyboard,web search — porto @ 1:01 am

January 8, 2024

Filed under: web search — porto @ 8:08 am

Από το 2001 μεγάλο μέρος των διαδικτυακών παρουσιάσων λειτούργησαν με την ενσωμάτωση του πρωτοκόλλου λογισμικού Flash σε κώδικα HTML. Το λογισμικό Flash καθώς και άλλες παρόμοιες εφαρμογές πολυμέσων που δημιουργούν την «αισθητική Flash»* έχουν χρησιμοποιηθεί από εκατοντάδες καλλιτέχνες παγκοσμίως από το 1997, παρέχοντάς τους έναν μοναδικό τρόπο δημιουργίας κυρίως διαδικτυακών διαδραστικών έργων. Από το 2019, η χρήση του στο Διαδίκτυο έχει ακυρωθεί λόγω ζητημάτων ασφαλείας και διαδικτυακά έργα που χρησιμοποιούν παλιά τεχνολογία αποτελούν μέρος της τεκμηρίωσης δημιουργικών πρακτικών στη σύγχρονη αρχαιολογία των τεχνολογικών μέσων και ειδικότερα σε αυτή που αφορά το διαδίκτυο και την Τέχνη του Διαδικτύου (Internet Art). Ένα μεγάλο μέρος αυτής της ενότητας Διαδικτυακές Πρακτικέςέχει σχεδιαστεί με την ενσωμάτωση του πρωτοκόλλου λογισμικού Flash σε κώδικα HTML δεν είναι δυνατόν να παρουσιαστεί πλέον στο διαδίκτυο ενώ και σε επίπεδο εννοιών αλλά και σε επίπεδο ανάπτυξης και λειτουργίας αφορά την διαδικτυακή on-line λειτουργία του.

December 23, 2023

Filed under: w-space/Η πηγή — porto @ 7:43 am

http://porto.artroom7.com/category/themes/w-space

August 27, 2023

Filed under: digital memory/Ο κήπος (),walking — porto @ 6:30 am

August 8, 2023

ΠΕΡΙΕΧΟΜΕΝΟ

Filed under: w-space/Η πηγή — porto @ 12:45 am

Well SPACE

annals of creation

http://www.artroom7.com/win/INSTALLATIONS/WSPACE/701.html

it refers to “The WELL,” an online community that has been around since the early days of the internet. The WELL, short for Whole Earth ‘Lectronic Link, was one of the pioneering virtual communities, founded in 1985 by Stewart Brand and Larry Brilliant.

August 6, 2023

wa-l-kin-g // peri-per-pati-matos

Filed under: walking — porto @ 5:46 pm

Filed under: web search — porto @ 5:09 pm

July 15, 2023

the circle mosaic

Filed under: w-space/Η πηγή — porto @ 6:39 pm
W-SPACE, ELEFTHERIAS PARK 2006, Group Exhibition. Projection on circular mosaic

W-SPACE, ELEFTHERIAS PARK 2006, Group Exhibition. Projection on circular mosaic

July 12, 2023

Filed under: w-space/Η πηγή — porto @ 4:01 am

July 10, 2023

2007-2023 Narrative Keyboard||Web based Installations

Filed under: narrative keyboard,web based inst,web search — porto @ 9:29 pm

The work is about user’s interaction with the keyboard and by constantly re-editing archival material * that acquires new narrative content every time it is executed, as a new montage and new interrelations occur that differentiate its audio visual and narrative identity. The algorithm which is executed by the users input keys(letters) combination fuctions as a compositional tool of the archive

July 9, 2022

virtual garden | digital memory | περιπατητικός χάρτης

Filed under: digital memory/Ο κήπος (),virtual garden,walking — porto @ 3:30 pm

ENTER>>

July 12, 2014

Filed under: w-space/Η πηγή — porto @ 4:02 am

April 1, 2012

 Α-Δελφούς||A-Delf

Filed under: w-space/Η πηγή — porto @ 4:05 pm

July 12, 2011

Filed under: w-space/Η πηγή — porto @ 4:13 pm

August 8, 2000

Filed under: w-space/Η πηγή — porto @ 12:45 am

το έργο έγινε

Το έργο έχει παρουσιαστεί

Powered by WordPress

error: Content is protected !!