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The proposed project is an audio-video installation concerning the imprint of a discontinuous journey of audio-visual narratives in an invented space. The “dismemberment” arises not only from the architectural structure of the installation that is similar to the known “bar code”, but also from the fragmentation in time and space of the audiovisual material during the process of its synthesis and projection. The installation which is a simulation to a spatial “bar code” refers to the continuous commercialization of nature, acting both as a barrier and as a boundary to a possible dystopia

The imprint of the audiovisual projection on hanged thermal papers creates series of parallel vertical images that resemble a spatial barcode and imply the conversion of the projected landscapes to consumption products. The animated texts, the moving imagery of selected landscapes and the constructed maps are projected on vertical thermal papers which are appropriately arranged within the space and create an impression of transaction products with encoded information. Inside the site and between the vertical parts are created openings that allow the user to navigate between them and explore the spatial status of the installation. The user enters the installation and becomes a part of the bar code.

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Landscapes, installation view. 2019 Lisboa, Portugal

Διαμελισμένα Τοπία, άποψη εγκατάστασης,2019, Λισαβόνα,Πορτογαλία,Dismembered